INDIAN STATUE DEDICATION CEREMONY May 22, 1988, 2:30 P.M. Max L. Hunt Opening Remarks Joe K. Anderson Presentation of Artist Guy Bellaver William H. Berg School Children's Essays Joe K. Anderson Dedication of the Statue Terry F. Grove to the City Fred T. L. Norris, Mayor Spirit of St. Charles Unveiling the Statue Mayor Fred T. L. Norris Guy Bellaver Joe K. Anderson Terry F. Grove Max L. Hunt PROCLAMATION WHEREAS, St. Charles is a community of rich tradition and proud heritage; and WHEREAS, the Pottawatomi Indians were the first to recognize the natural beauty of this area and are an important part of St. Charles' heritage; and WHEREAS, a statue was dedicated in honor of the Pottawatomi Indians in 1915, and later destroyed; and WHEREAS, the St. Charles citizens have recognized this statue was an important symbol of pride in their heritage; and WHEREAS, a group of civic minded citizens organized a committee to recreate this important symbol; and WHEREAS, St. Charles' residents and other citizens generously contributed moneys to dedicate a new statue; and WHEREAS, Guy Bellaver has now completed the sculpting of a fifteen foot bronze statue to be placed in a prominent place overlooking the Fox River, THEREFORE, BE IT PROCLAIMED, WE, the citizens of St. Charles do hereby dedicate on Sunday, May 22, 1988, this statue to the City of St. Charles as recognition of the proud heritage and rich tradition we feel for our community and to provide future generations with a symbol of our commitment to maintain this spirit of pride. Pottawatomi Indian Statue Committee OUR PURPOSE With the dedication of this statue, we, the present inhabitants of the Fox River Valley, honor the memory of the Potawatomi Indian Nation. They called themselves the Neshnabek which translates literally as the People. They hunted these lands, they fished these streams, they planted these fields for almost one hundred years. Many a pioneer was saved by them during the Black Hawk Indian War. Many a pioneer was sustained by them in hard times. They were generally a peaceful race whose only wish was to co-exist with their white neighbors. We owe them our gratitude and respect. THE PROJECT In 1985, William Berg of the St. Charles Rotary Club suggested to the Rotary members a new community service project: replace the Pottawatomie Park Indian statue that had been vandalized and destroyed in 1965. Such an ambitious goal seemed possible because the Rotary Club already had the sculptor. Guy Bellaver, a new resident and Rotary Club member, would donate much of his work on the statue. As interest spread, St. Charles business leaders proposed that a special organization be created that would allow the whole community to participate in the project. Therefore, in early 1986, the Pottawatomi Indian Statue Fund, Inc., was formed to raise the funds and guide the project to its successful conclusion. Imaginations soared. Make a bigger Indian. Put it where everyone could see it. The committee evaluated multiple sites. The bank of the Fox River adjacent to the river walk seemed the logical place. The city would donate the use of the land. To promote further community interest, Bellaver spent April and May of 1987 at the St. Charles Mall where he sculpted the styrofoam model for the statue. School children collected their pennies. Businesses donated money and services. Donors of $250 or more have their names immortalized on a bronze plaque. Cash donations exceeded $85,000. The value of additional volunteer services and materials is incalculable. THE STATUE In the language of the Potawatomi, neshnabewokamek means leader of the people. The new statue represents one of those leaders. Though symbolic, it is historically accurate. Like the people he represents, this Indian braves the world and the elements. The rugged, inscrutable face looks westward across the river. His long hair blows freely in the wind. A bearskin robe partially covers his deerskin shirt and leggings. He holds a calumet, a peace pipe. The statue stands on the east side of the Fox River a few hundred feet north of the Main Street bridge. The city accepts ownership of the statue and will maintain it in perpetuity. The base of poured and reinforced concrete is six feet high and eight by ten feet wide. Bronze plaques are embedded on three of the four sides. The rest of the base is finished with crushed stone to match the wall of the river bank. The styrofoam model was made in 120 separate pieces which were sent to the Artworks Foundry, Lawrenceville, Pa., for casting. The 120 separate bronze pieces were then welded together and the seams chased to become invisible. After assembly, the entire statue was sandblasted and painted with a chemical solution to give it the final patina. Fifteen and a half feet tall, the hollow statue contains almost four tons of bronze. The bronze is one-half inch thick for the feet and legs but tapers gradually to one-fourth inch thick for the head. THE SCULPTOR Guy Bellaver took every art course his schools offered. He was also a high school gymnast, a college graduate with an economics degree, and a Xerox Company sales representative. The need to create brought him back to the art world where he has worked full time since 1976. Some of his commissioned works can be seen at H. J. Heinz Corp., Pittsburgh, Pa.; Ram Construction Co., Canonsburg, Pa.; Arthur Anderson & Co. Center for Professional Development, St. Charles, Il; and Computer Bay, St. Charles, Il. THE PREVIOUS STATUE The head is all that remains of the first Pottawatomie Indian statue dedicated on August 19, 1915 by Wilfred M. Doherty with these words: "A great moralist might find in this statue a sermon in bronze. The same great blue sky, the same green woodland, the same gliding river which those keen eyes delighted in, are here today...There is in every human heart an appreciation of nature and nature's beauty, and an instinctive interest in the people of the past. This vicinity is rich in Indian legend and tradition. The Pottawatomie immigrated from Canada at an early date in the history of this territory. The last of the red men to leave this region were the Pottawatomie who were driven westward in 1835-1836. The valley of the Fox was their favorite abiding place and their sorrow when removed was deep and bitter." THE HISTORY OF THE POTAWATOMI Glacial ice covered much of North America when the forbears of American Indians entered the unpopulated New World 10,000 to 20,000 years ago. They came from Asia across the Bering Strait into Alaska. As the last Ice Age receded, streams, flowers, meadows, and forests appeared in all their grandeur. The northern lakes of Wisconsin and Michigan teamed with wild rice and waterfowl. A copper culture thrived near Lake Superior before 3,000 B.C. Later, the mysterious mound builders inhabited the shores of the Ohio and Mississippi Rivers and their tributaries, including the Fox. The northeastern Woodland Indians entered our written history through reports of French explorers who set up a vast fur-trading system by 1612 - eight years before the Pilgrims landed at Plymouth Rock. The Potawatomi originated in lower Canada and upper Michigan. Indian population pressures pushed the Potawatomi southward along both shores of Lake Michigan and into northern Indiana and Illinois. Large scale colonization in Illinois occurred after 1750. Their semi-nomadic villages stretched from the Rock River on the west, south to Peoria, and east to Lake Michigan. As white settlers continued their relentless westward advance, encroachment on Indian lands increased. The European settlers felt that they had a "manifest destiny" to subdue and settle the land. The long years of border clashes and Indian wars culminated inevitably in the defeat of the Indians. The Indians ceded all claims to their lands in multiple peace treaties. Shabni (Shabonna), a peace chief and spokesman for the Potawatomi, was born in upper Michigan in 1775 and died in 1859. A true friend of the white settlers, he observed: "In my youthful days, I have seen large herds of buffalo on these prairies but they are here no more. For hundreds of miles no white man lived but now trading posts and settlers are found throughout the country, and in a few years the smoke from their cabins will ascend from every grove....The red man must leave the land of his youth and find a new home in the far west. The armies of the whites are without number, like the sands of the sea." THE NAME Since the Potawatomi had no written language, there is no correct spelling of the name. In all, there have been more than140 different spellings - from Pouutouatami, to Patawatamay, to Pottawatomie, and finally to the modern accepted spelling of Potawatomi. The meaning of the word is also disputed, although some have called them the "Keepers or Blowers of the Fire". THE CHIEFS The Native American people had a republican form of government. There were no kings, queens, chiefs, or all-powerful rulers of any kind. Native Americans had leaders. Some were civil leaders, others were religious and warrior leaders. The Potawatomi called their leaders Wkama. They became leaders because of their abilities, valor, and charisma. But they could not command, they could only lead. THE DAILY LIFE The Potawatomi formed large villages along streams or rivers. They were expert canoe makers and relied heavily on fish for food. Hunters killed deer, elk, bear, buffalo, and small game. Fish and game not eaten immediately were dried for winter use. Women planted small fields of corn, beans, peas, squashes, melons, and tobacco. They gathered wild nuts, roots, and berries. They wove wooden baskets and bags. They formed other containers from animal skins. The Potawatomi constructed rectangular summer houses of wood with high arched roofs of elm or cedar bark. In the winter they lived in domed wigwams made of saplings and covered with animal skins. Smoke from the central hearth escaped through an opening in the roof. INDIAN NAMES Ashkibi - The New River Awbenabi - He Looks Back Kakak - The Duck Hawk Kiwani - The Lost One Matchigzhek - The Big Sky Menokwet - Banked Cloud Mzhikteno - Thunder Coming Down Mwas - The Little Wolf Nibakwa - He Walks at Night Nokamin - The Early Spring Onaxa - He Flies Away Okamanse - The Young Leader Shabni - He Has Pawed Through Sebekwa - River Woman Wabansi - The First Light Wamigo - The Thunderbird